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Bootleg bollocks!
The October Record Collector has a pretty Fab, albeit aurally anally retentive feature on the
the remasters, which you should pick up if you can find it.
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In a generally good interview with cantankerous remaster guvner, Allan Rouse-pictured at left- the whole ground Hog Day 4 year torturous process is explained, and I guess cuz he was there, we will have to take Rouse's word for it.
In a generally good interview with cantankerous remaster guvner, Allan Rouse-pictured at left- the whole ground Hog Day 4 year torturous process is explained, and I guess cuz he was there, we will have to take Rouse's word for it.
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But when the RC interviewer broaches the subject of how all the high-quality bootlegs-which are generally attributed to John Barrett and/or a certain Philly DJ-got loose out of Apple vaults back in the late 80s, Mr. Rouse appears to be on tea.
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Rouse actually puts forth the (unlikely) proposition that those great boots were the result/fault of individual Fabs' taking home demos and acetates!!!
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Cor blimey, wot a load of rubbish!
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Best be assured that whatever way the tape dubs got loose, only a small number of versions were/are the result of wayward take-homes.
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Although Rouse was very forthcoming when it came to why the 24 bit remasters were dumbed down to 16 bit for the actual CD transfers.
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"(We) know that 99 percent of (the) people will hear it as an MP3 file...and not complain!"
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Ah, Apple/Rutle Corps: dontcha just luv 'em!!!